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JAMES M. WOOD COMMUNITY CENTER

LOS ANGELES, CALIFORNIA







Photography: RMA Photography, Inc.

CMACN 2005 Awards Edition, “CMU Profiles in Architecture”

Credits
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Jury Comments: It is rare that a building is able to give voice to those that are seldom heard. In this instance, the architect draws on every instinct, including the exploitation of the park across the street, to establish and to mark the structure’s presence. Employing a rational structural frame, fully glazed at the first level, then open to frame the outdoor terrace above, yields unusual depth. Through the simple layering of the columnar bays against the box-like enclosure of the meeting rooms beyond, no longer is this an elevation, but a true civic facade. Each detail is carefully considered in its contribution to the entirety of the composition demonstrating that skill, not cost, can enrich the human condition.


The Center’s design juxtaposes modernism with its core of concrete masonry volumes and columns to give the patrons of its tough community a dignified, inspiring “civic living room.” It houses most of the public needs of the reformed residents of this largely homeless and indigent neighborhood. The project was a repeat collaboration between architect and satisfied client, an agency impressed by the achievement of design ideals of respect and pride, while on a tight budget. CMU played a central role in attaining these ideals.

In early phases of the project, wood-frame construction was briefly considered, but could not provide the same benefits that concrete masonry offered, namely speed of construction, durability, and the achievement of occupancy requirements with superior fire-rating. CMU needed less perimeter clearance, allowing us to use 10% more of the narrow plot.

No matter what kind of abuse the building takes, CMU makes it easy to keep the site clean and ready for the next community group. Construction took 14 months. The concrete masonry, both the frame and exterior finish, made it possible to complete the project in a short period of time.

The CMU columns are on a monumental scale - on the ground floor they relate to the pedestrian looking into the “living room,” while on the second balcony they attain an airy, permeable feeling, not normally associated with CMU. Bright colors encourage a level of transcendence. One patron, a formerly homeless man, gazed from a park across the street through the concrete masonry columns to the wall at the back of the second-floor balcony, saying in wonderment that he watched the colors play against the sky color throughout the day.

ARCHITECT:

Lehrer Architects LA
2140 Hyperion Avenue
Los Angeles, CA 90027

Michael B. Lehrer, FAIA
Principal

STRUCTURAL ENGINEER:

Reiss Brown Ekmekji

GENERAL CONTRACTOR:

Robert F. Vairo Construction

MASONRY CONTRACTOR:

Daryl Sutliff Masonry

BLOCK PRODUCER:

Angelus Block Company, Inc.

OWNER:

SRO Housing Corporation